Should Children Be Allowed Essay Example for Free

Should Children Be Allowed Essay Should children be allowed to use mobile phones at school I believe that mobile phones should be allowed to be used at school at either before school, after school and during the luch breaks. Children should not use mobile phones in the classroom as that is the time and place to learn not to go on your phone. At luch time and recess children should be allowed to use their mobile phones because thay should be able to enjoy their break and eat their food happily and freely. I agree that mobile phones should not be used in the classroom, because if children were using their mobile phones in the classroom where they should be learning, their attention from their school work could drift off, therefore they would not know what to do in their studies leading to them failing their subjects and not succeeding at school. Also the teacher would get inturrupted by the phones noises causing her not to be able to concentrate on teaching the little amount of people who are not using their phones and trying to learn But I also think that children should be allowed to use their mobile phones during their luch breaks, before and after school as they are supposed to be resting and enjoying those times of the day as those are the only times they are allowed to rest during school hours, so they should spend that time efficiently by enjoying their time however they desire. I honesly do not see any reasons why children are not allowed to use their phones during these times unless they do not violate any other school rules whilst doing so. This being said I agree and disagree on the the statement â€Å"childlren should be allowed to use mobile phones at school. I agree by saying that they should be used during their lunch breaks, before and after school and I disagree by saying that they should not be used in the classroom, the place top learn.

Primate Species Profile :: essays papers

Primate Species Profile Red-shanked Douc Langurs What are their names? Scientific name: Pygathrix nemaeus English name: Red-shanked douc langurs How are they classified? Order: Primata Family: Cercopithecidae Did you know..... -That Douc langurs are leaf-eating monkeys with long intestines and very large stomachs to get nutrients out of leaves. Leaves are difficult to digest, so therefore, the langurs spend most of their time sleeping in order to properly digest them. They leaves they eat ferment inside them as part of their natural digestion, which releases bubbles of gas and causes them to burp! -Douc langurs have a specific "playface" in which the eyes are closed, exposing very pale blue eyelids. -The tails of Douc langurs are actually longer than their body. -Douc langur babies are very susceptible to the pet trade because they are so cute. Unfortunately most of these babies die due to lack of proper nutrients because their owners feed them only fruits - and they need many other nutrients for a balanced, healthy diet. Where do they live? Douc langurs are found most frequently in primary evergreen forests of Vietnam and Laos (also in Cambodia), at around 300-2000 meters elevation. Recent fieldwork has demonstrated that although douc lagurs were once thought to have a restricted habitat, they are actually found in a variety of habitats. While douc langur monkeys are restricted to wooded areas, they occur in a variety of forest types. Populations of doucs have been located from both monsoon forests as well as rainforests and include: semi-evergreen, lowland lower montane and upper montane forest types. What are their general characteristics? Description: Douc langurs appear as if dressed in costume. They have grey-black underparts, and the upper part of the leg is also black, and finally continuing down the knee and below are orange-red. Cheeks and throat are white, and the hands, feet, brow, and shoulders are a contrasting black. The tail, forearms, and genital region are also white. There is no sexual dimorphism in the size of douc langurs, and the size ranges are the following: the body length ranges from 23.1-23.5 inches, the tail length ranges from 23.5-26.8 inches, and their weights range from 18.1-24.0 lbs. Diet: Douc langurs are vegetarians, getting adequate protien and fluid by eating leaves, buds, fruit, and flowers. They eat 50 species of plant but no animals. At the zoo, the animals eat primate chow and various types of greens that they get in a rotating diet. That way the animals get to choose which type of green they want.

A Similar Theme in Works of Neoclassical and Romantic

The genesis of Neoclassical Art and that of Romantic Art thrived in close proximity as far as chronology was concerned.Neoclassicism or Neo-Classicism marked the revival of Classical interests in literature, visual arts, music, theater and architecture between the mid-eighteenth and the nineteenth century. Mainly canonical works of ancient Greek and Roman times were reproduced by the neoclassicists, but not without experimenting with their own impressions and improvisations. Maintaining the tradition of a culture which was rich and opulent in the past was a major objective of the neoclassical craftsmen.But the Romantic genre of decorative and performing art, which hit the scene in the eighteenth century Western Europe, was a trendsetter in its own rights. While neoclassicism dealt with the resurgence of the antique ideal that was conceived of by Virgil, Raphael and many other eminent artists, the Romantic Movement was a reaction against the severities of reality and rationalization. Naturalistic cultural expressions were regained and given newer dimensions by the neoclassicists.On the contrary, the Romantics escaped from the sternness of routine life by delving into fanciful musings on nature in its untamed form. The point of resemblance between both these movements can be found in their dealing with aesthetics of art and subjective virtues. This essay is going to compare and contrast between two archetypal artworks from the eighteenth century Neoclassical and Romantic genres.The eighteenth century Europe was woken up from a slumber of inertia when the German art historian Johann Joachim Winckelmann showered accolades on the ingenuity and authenticity of the ancient Greek sculptor in his essay Gedanken à ¼ber die Nachahmung der Griechischen Werke in der Malerei und Bildhauerkunst (Thoughts on the Imitation of Greek Works in Painting and Sculpture), published in 1755. While this treatise concerned only the Neoclassical frameworks of art, our proposed course of study in this paper is going to be based on finding a common theme from the Neoclassical and the Romantic era.The basic problem in doing so is to excogitate a way to match the sublimities of ancient Greek tastes and preferences with the realism of the Romantic Europe. Subject matter, style and period played a pivotal role in shaping the vision of the neoclassical artist.[1] Moreover, fastidiousness over maintaining the class is a definitive neoclassical approach. Now if we take into account the cultural influence as well as the artistic nuances of a given work of art, we are unlikely to appreciate it insightfully.[2] These two parameters are independent of each other in that the former has nothing to do with the artist’s vision and objective.The cultural precondition exists in the subconscious of the creator while he goes about his business with the brush and the canvas. The same holds true for the Romantic artist as well. Sublimity, as claimed by Prager,[3] is essentially a romantic quality. The Romantic preoccupation with aesthetics analyzes the underlying meaning of the theme which is being worked upon, and makes a differentiation between sublime and beautiful. But the paradigmatic cases of neoclassical painting do not distinguish between these two viewpoints. By and large, what stands out in any typical neoclassical artwork is its chastity of emotion and lofty ideals that are reflective of the root source and time.Mother of the Gracchi by Angelica Kauffmann is widely regarded to be a representative work of the eighteenth century neoclassical age. Being a trained and well-cultivated painter, Kauffmann was extremely scrupulous about the subtleties of expression and proper treatment of the theme.Hence, Mother of the Gracchi goes beyond the lifeless imitation of a Classical theme at a latter period. Drawing inspiration from the classical Greek and Roman history and literature, Kauffmann repudiated the ancient characters and replaced them with modern one s. The settings too were changed so that the modernistic charm of the neoclassical period could be retained.Revered as an exemplum virtutis (example or model of virtue),[4] this artwork superseded the more flaunty and playful rococo style both in the gravity of theme as well as in taste. This painting thematically concerns the virtue of Cornelia, mother of Tiberius and Gaius Gracchus. It displays motherly affection in its most profound manner as Cornelia is seen bringing her two sons as jewels to a visitor who is seated.The Romantic artwork we have picked up in our present study is Alexander Cozens’ paintings. Just as Kauffmann belonged to a learned community of painters, Cozens too was aware of the systematic and accurate drawing procedures from the very beginning of his career as a painter.His works were largely influenced and shaped by his prolonged academic tenure in Italy, where he had to make topographical pen and wash drawings in oil. The salient features of Cozensâ₠¬â„¢ works included â€Å"speed and spontaneity in execution† along with a firm focus on the subject at hand.[5]While it is a daunting task to compare and contrast between two entirely different schools of painting, it would be worth taking a look, first of all, at the similarities. In many ways, Cozens’ works captured the pastoral beauty of nature in its unblemished form. Albeit Kauffmann addressed to a historical theme, she portrayed Cornelia as emblematic of Mother Nature.Moreover, Cozens’ drawings continue to evoke a sense of awe and bewilderment among contemporary critics for their taste and sublimity. Like Kauffmann, he too was able to convey his powerful feelings by using select washes of a few basic colors.Now if we are to look into the contrasting aspects of the Neoclassical and the Romantic artworks, we should be beginning with the cultural remnants of the Classical times that shaped the neoclassical attitude towards painting. It was imperative that Ka uffmann should incorporate the Roman architectural patterns in Mother of the Gracchi – a compulsion Alexander Cozens did not have to pay attention to.Again, the spontaneous flow of emotions, which is so typical of the Romantic movement at large, are missing in the neoclassical paintings. It was as if the neoclassicists were more preoccupied by the exactness of form than by imbibing a sense of freedom and expressionism into their works.Much in sync with the prerequisites of the Romantics, Cozens was a visionary poet who could blend colors with subtle use of light and shade to render a mystic charm to his works. But Kauffmann had to follow stricter rules and norms set by the earlier trends of the Classicism. However, the use of symbolism was more prominent and effective in Mother of the Gracchi and other neoclassical works than what was observed in the works of Cozens.[1] Kleiner et al., p. 767 [2] Binkley, p. 12 [3] Prager, p. 93 [4] Kleiner et al., p. 767 [5] Murray, p. 227

The Impact Of Terrorism On Economic Development And...

Name: Professor: Course: Date: Introduction Terrorism has proved its negative impacts on the economy of the country by retarding the economic development and reducing the level of industrialization. Terrorism can be defined as countries interference by use of ruthless means which can be as a result of political or religious struggles. Civilian enforcement is a term employed in the America to refer to the police. Police officers play a significant role in the process of fighting terrorism. In order to realize the role of law enforcement officials, the government of the United States came up with a number of strategies which include: Initiation of Training Programs It involves the familiarization of terrorism-related aspects. The teaching helps the officers to recognize the strength of a danger thus find ways of overcoming them. The police officers are also introduced to the crucial things to consider during any investigation. Furthermore, the means to deal with any emergency in case of any violence. The support from government organizations and the Department of Homeland Security has been able to deliver training to the officers. Example the case of California; there was the creation of Peace Standards Commission whose function was to offer to teach to the police officers. Training also extended to occupy areas such as teaching how to drive and handling firearms. The training involved 600 and above organizations and among the training given was how to arrest criminals,Show MoreRelatedGlobal Warming And Terrorism : Terrorism971 Words   |  4 Pages Global warming and terrorism are two transnational problems that states face in the 21st century. Globalization has brought the attention of the entire world to come together to solve the issues of collective goods for the betterment of mankind. 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